Cubase forum1/21/2024 But for me, it's how you can easily work with them once you took the time to properly set the browser and saved your presets with all relevant info. Many of you might already know about track presets, so it won't be anything new. The cool thing about this, is that you can customize a track (instrument) to your liking, save it, and it's already there and ready to go for any other project in the future. Over time, I kept growing the DB with new samples, or variation of existing ones as I was working on projects. So I started from my all disabled tracks template, and saved each one of them as an individual Track Preset. From a empty one where you load your instruments from the browser/library tab, to an all disabled tracks (1000+ tracks), using quickloads, or a mix of disabled tracks with Vienna Ensemble Pro, or even to go all VEP across one or several computers, each of them provides pros and cons (which I won't go in details here as it would be too long) and while they worked to various degrees, none of them reached the level of agility/scalability/functionality that I've been experiencing using the one below for me.įor the past few months, I decided to give a shot using track presets and the internal browser. Personally, I've been experimenting with several of them in the past few years. For those who like to work with templates, we all know there's several different approach that exist.
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